Anti-Bride and The Hooks at the W Hotel in San Francisco

New American BrideThe Grape from the VineSelection of My Memory

Last night I had an opportunity to attend and photograph Operation Aisle Style here in San Francisco at the W Hotel. The event was dubbed an Alterna-Bridal Fashion Event and in addition to an alternative wedding fashion show there was a second fashion show showcasing the designs of Project Runway contestant Austin Scarlett and lead designer Kenneth Pool. After the fashion show there was a concert by the band The Hooks.

The event was pretty packed with about 500 people in attendance. The Alterna-Bridal fashion show was put on by the Art Institute of California and featured their “rising star” fashion design students.

The Hooks had a great sound. Sort of an Irish punk rock style. Brothers Keith and Ronan Mulligan are the front men for the band. Ronan’s a spitting image double for Johnny Rotten. Colin Delaney is on drums with Willie Gregory playing bass. The Hooks are playing next in San Francisco at The Great American Music Hall’s St. Patrick’s Day Festival on March 17th. After that they are heading off to Austin to play SXSW.

Ronan Mulligan

If you’d like to check out my shots from last night’s events you can find my set of images of the fashion shows here and my set of images of the Hooks here.

Thanks much to Shannon Clark for getting me a photographer’s pass to this great event! Shannon helped organize what was an absolute first rate event!

Pandora Rocks the Casbah

Songs Over Oakland
One of Pandora’s musicologists listens and evaluates a song at their Oakland, CA offices.

Back in 1981 I put on a record on for the first time that fundamentally changed my musical taste forever. The record was a compilation. Rodney on the Roq Volume 2. It was the first time in my life that I heard the band Social Distortion. It was my introduction to punk rock.

Over the course of the next few years I devoured every punk record I could find. Never Mind the Bullocks Here’s the Sex Pistols. Not So Quiet on the Western Front. Black Flag. The Circle Jerks. Bad Religion. Minor Threat. The Ramones. The Adolescents. X.

The way we learned about new punk rock back then was largely from two radio stations. Sunday nights on KROQ with Rodney Bingenheimer and every so often you could also catch the right late night DJ on KCSN (Cal State Northridge’s college radio). As far as radio in the San Fernando Valley went back then, that was pretty much it for punk rock. Discovering new punk rock back then was not the easiest thing in the world.

Fast forward to 2009. Right now I’m playing Thomas Hawk’s Social Distortion Rocks Station on Pandora Radio. My own custom station started out playing the Social Distortion song “Cold Feelings,” and from there has gone on to play a live version of “Finnegan’s Wake” by the Dropkick Murphys, “London Dungeon” by the Misfits, “Give you Nothing,” by Bad Religion and then back to “So Far Away,” another Social D track.

The best thing about Thomas Hawk’s Social Distortion Radio version 2009 on Pandora? No commercials and it’s free. There are ads on the site that play in the background as I’m writing this of course (Pandora does offer a paid subscription version without these ads) and Pandora makes a few bucks whenever someone likes a song enough to buy it using their link to iTunes or Amazon, but for the most part it’s pretty awesome commercial free radio tailored just right to my musical taste.

Thomas Hawk’s Social Distortion Radio is just one of my many stations on Pandora. Each user can have up to 100 different customizable stations. The one that I listen to the most is titled simply Thomas Hawk’s Tunes. It’s a compilation of 100 or so bands that I’ve submitted to Pandora and about three years of rating songs by thumbs up or thumbs down on the service. It’s where I first heard the Bright Eyes. It’s where I first heard the Shins. It’s where I first heard the White Stripes. It’s where I first heard the most recent artist that I’ve been enjoying Andrew Bird.

To put it most simply, there is no other music site on the internet that I rely on more than Pandora for discovering new music on the web. It’s uncanny how well the site seems to know me and my tastes. I’m not alone — as one of the web’s most popular services, Pandora reports over 23 million listeners on the web and another four million on the iPhone.

Last week I had an opportunity to stop by Pandora’s offices in Oakland and spend some time with their employees and photograph their operations first hand. Pandora’s CTO Tom Conrad’s been a friend for a few years now and it was great catching up with him and his team live at their offices.

You wouldn’t know that you were about to head into one of the internet’s most popular music services by the sign on the outside of the door. A simple plastic plaque reads “Pandora Media, Inc.” But once you get inside you find an atmosphere that’s like a lot of other Silicon Valley start ups, complete with the company ping pong table, beautiful hand painted music themed paintings on the columns in the office space (by local artist Jon Weiss) and even guitars, bass, and in house drums. Bands regularly stop by their Oakland offices to perform live there.

Lucia and TomRipping CDs at PandoraPandora Town Hall MeetingsThe Daily Mail at Pandora
Photos (clockwise from upper left). 1. Pandora Community Manager Lucia Willow and CTO Tom Conrad. 2. A music ripping station at Pandora ripping new songs from CDs for the service. 3. The daily mail of new CD submissions to Pandora. 4. A map that hangs outside Founder Tim Westergren’s office documenting the various Pandora meetups across the United States.

Pandora was started as an offshoot of the Music Genome Project which was started back in 2000. Pandora describes the Music Genome Project as “the most sophisticated taxonomy of musical information ever collected. It represents over eight years of analysis by our trained team of musicologists, and spans everything from this past Tuesday’s new releases all the way back to the Renaissance and Classical music.”

As part of my visit to Pandora I got to watch their musicologists working first hand. Basically it was a room full of super smart music people listening on headphones and spending 20 minutes or so per song categorizing each tune by up to 400 different characteristics (talk about a pretty cool way to earn a living). The result is that if you tell Pandora you like certain types of songs they are then able to present you with more songs that are similar characteristically according to their musicologists. If you like a song you give it a thumbs up. This way Pandora knows to play more songs like that for you in the future. If you don’t like a song you give it a thumbs down and it skips forward to the next song for you.

Tom Conrad joined Pandora back in 2004. I first met him back then at a Robert Scoble Geek Dinner. Back then Pandora was much smaller. There were eight full time employees and 15 music analysts. Now the company has over 130 employees with offices in five cities. “It’s been an incredibly gratifying five years, not the least of which has been due to the opportunity to work with so many talented, passionate people,” said Conrad. “It’s the best job in the world.”

According to Conrad, Pandora now has about 600,000 different songs cataloged in their system. They buy 90% of their CDs themselves and rip them there at the offices on a bank of PCs dedicated to ripping. They then scan the bar codes on the CDs to organize the tracks and pull the album information and album art down from sites like Amazon. Once the CDs are ripped they go back into a storage room with aisles and aisles of boxed up CDs. It certainly was the largest CD collection I’ve ever seen.

Boxes and Boxes and Boxes of CDs
One of the many aisles of boxed CDs from Pandora’s giant music library.

These days Pandora is going all over the world to find new music. They recently added a number of Celtic songs to their collection. On the day that I visited they were busy ripping a number of new CDs that one of their employees brought back as part of a musical buying trip to India. A lot of these were interesting but obscure Indian titles that you’d probably be unlikely to ever find here in the U.S. They also receive baskets full of CD submissions via US mail every day. These submissions come both from major record labels as well as small independent artists, each looking to get more exposure for their music through Pandora’s ever growing number of listeners. Their music library gets larger and larger every day.

For many of us who are big fans of Pandora the service is a web mainstay. I’ve got the site permanently at the top of my browser as a bookmark. But as much as Pandora is growing by leaps and bounds on the web, there are still lots of other ways that people are listening to Pandora as well. Conrad spent some time showing me one their rooms devoted to an ever growing numer of Pandora enabled consumer devices. On a wall of hardware he turned a few of them on showing me one of the latest offerings, a Pandora and Netflix enabled Blu Ray DVD player. More and more in the future you’ll begin to see Pandora’s service moving beyond just the web and integrating into more and more consumer devices.

One consumer device to date does stand out head and shoulders above the rest. Presently Pandora’s iPhone app is one of their fastest growing services and accounts for about 10% of their playbacks. According to Apple, Pandora’s iPhone app was the most downloaded application for the iPhone in 2008. Not just the most downloaded free app, or the most downloaded music app, the most downloaded app period. And I can definitely say having used this app that it pretty much rocks. It was the first app I added to my iPhone and the one that I use the most. If you want to download the Pandora app for your iPhone you can do that here.

Pandora also is continuously working to find new ways to engage their users. During my visit I was able to spend time with both Founder Tim Westergren as well as their Community Manager Lucia Willow.

Outside Westergren’s office he has a great map of the United States with dozens of little pieces of papers pinned to cities across the U.S., one of his pet projects. Each city documents town hall type road show meetings that have taken place there. It’s interesting to watch small meetups in 2006 of 10 or so users turn into meetups with 200 users in the same city a year later. Pandora continues setting up user meetup events in cities across the U.S. to promote their service and engage their loyal listeners. If you want to see see Tim’s diary/map of places he’s visited so far (and places he still wants to visit) you can check out their map online here.

As their community manager, Willow has one of the best customer support and evangelism jobs on the web. It’s nice to be a community manager when so many people love your service. It’s been said that your most passionate users oftentimes end up becoming the best community managers. In the summer of 2005 Willow was working full time at the public library and finishing her Masters degree in library and information science. She loved the service though and offered to intern/volunteer for free. Pandora went ahead and hired her for a one day a week job and then ended up offering her a full time listener advocate job in 2005. In March of last year they created the Community Manger position for her.

Willow monitors Pandora’s brand across the internet and also maintains an active presence on other social networking and micro blogging sites on the internet like Twitter and Friendfeed. On Twitter Willow tweets about new musical offerings by Pandora and also offers interesting suggestions for new Pandora custom music stations.

Music on the web is a constantly evolving frontier. It wasn’t that long ago when they shut down our dearly beloved Napster. And being on the forefront of the frontier Pandora is trailblazing both new ideas and new concepts about how we find and consume music. When you open a Pandora’s Box you never know what might come out of it. But at least according to the Greek myth the last thing to come out of Pandora’s Box is hope. Already Pandora has had to fight several well publicized political fights. At present they pay a fraction of a cent for every tune played on their service as a webcaster. Some out there would like to see them pay a lot more. Here’s hoping that the hope at the bottom of Pandora’s box keeps the service around for a long time into the future and keeps it economically viable and largely a free type of service like it is today.

If you’d like to see my complete photoset of images that I took at Pandora’s office you can do that here. If you’d like to see some of what I’ve been listening to on Pandora and some of my favorite bookmarked artists you can check out my Pandora profile here.

Flickr and Getty Images Launch Their Flickr Stock Photography Collection

Flickr Getty invite

Earlier this morning Flickr and Getty Images announced the launch of their new joint stock photography offering called “The Flickr Collection.”

“We are thrilled to provide our customers with this ground-breaking collection,” said Jonathan Klein, co-founder and chief executive officer of Getty Images. “We are impressed with the talent from the Flickr community, and are proud to once again lead our industry in this exciting new direction. We are eager to hear what our customers think, and look forward to their input in shaping this ever-expanding collection.”

I haven’t had a good chance yet to try out the new service but thought I’d offer some of my thoughts on the service here. I just received an invitation from Getty Images to participate in the collection on 95 of my photos, but only yesterday, so I haven’t had a chance yet to either decide what to do or sign up for the service.

My first observation about the new service is that I’m surprised at how limited it is. Out of the billions of images available on Flickr, as of this morning’s launch it would appear that Getty is only offering 4,284 flickr images for sale. Back in July of last year I reported on the collection based on comments made at the Microsoft Pro Photo Summit by Joseph Jean Rolland Dube, iStockphoto’s VP for Content Development. iStockphoto is 100% owned by Getty Images. Dube told us at that time that the collection would initially launch with about 2,500 images. That number was later disputed by Getty’s Bridgett Russell who said that the service would be launching with “tens of thousands of images.” “You have in fact been given an incorrect number,” said Russell last year. “We intend to launch our Flickr collection in the coming months with tens of thousands of images, with thousands more added to the collection each month.”

Getty Flickr Search Engine

I contacted Russell this morning about the difference between the 4,000+ images on the site this morning vs. the tens of thousands number reported last year and got the following answer back from her:

“Today, we have more than 10,000 images accepted into the Flickr Collection. Several thousand are available on gettyimages.com today – as you noted – and within the next two weeks, all of them will be available. We are just finishing up some final processing. As a “living” collection, we’ll also be adding thousands of new images each month and Getty Images’ editors will continue to invite Flickr members to participate. “

Although the number of Flickr photographers invited into this program has not been made public at this point, the private “contributor only” group at Flickr currently shows 6,890 members. This is a group that you get invited to when you accept their agreement.

Doing a couple of quick searches, at least as of this morning, in the new Flickr collection you will find some reasonably popular search subjects somewhat sparse. For the search “San Francisco,” the new collection only brings up only 60 flickr images for sale. Another search for kitten (something Flickr of course is famous for) only brings up nine images for sale. One the positive side, it does appear that some of the Flickr images for sale have made their way to first page search results for broader image search requests across all Getty images collections. A search for the term “San Francisco” across all Getty collections shows nine Flickr photos on the first page of 67 pages available for sale. I’m pleased to see that Flickr photos seem to be getting good placement across Getty’s overall search engine.

I suspect that I will probably end up licensing at least some of the 95 photos that Getty has selected of mine to be included in this offering — if for no other reason than to try the service out and see how it goes.

The thing that I like about this offering is that Getty Images, as the world’s largest stock photography agency, has amazing reach. Although I’ve sold lots of stock photos myself, I wonder how much better of a job Getty could do selling them than I can. I also think it’s interesting that as part of the contract with Getty that they also will go after copyright infringement settlements for you on the images that they represent.

What I don’t like as much though is the payout split between the photographer and Getty images. At present the payout grid looks like this:

Rights Managed / Rights Ready Still Images and Footage: 30 percent
Royalty Free Footage: 25 percent
Royalty Free Still Images: 20 percent

I also don’t like the fact that by signing up for the service are committing to a two-year contract with Getty Images. During that two year contract Getty has the exclusive rights to market the images that you offer through them. So, for example, if you have an image that is not selling through Getty and say a magazine wants to buy it for $500 you can’t sell it to them. Of course you could always point them to Getty to buy it, but you would not be able to offer it.

Another issue with this offering is that Getty requires all images included to be registered as “all rights reserved,” even though it would seem that a Creative Commons non-commercial license ought to be sufficient. Ben Metcalfe started a lengthy thread discussion on this issue that you can read more about here. Flickr user Striatic also has a lengthy thread on problems that he has with the Getty contract here. Another interesting conversation (with 94 comments) about the Getty offerings is taking place on one of John Curley’s photos “team getty?” over here.

You can read the official Flickr FAQ on the new offering here. Getty has an FAQ for contributors here. Getty images has a blog post up on the new offering this morning here. There is a private members only group for Getty Images contributors on Flickr here.

Additional reading: USA Today: Online photo services can give shutterbug lucrative outlet. ZD Net: Getty Images, Flickr launch licensing, distribution deal. CNET: Selected Flickr images now sold through Getty.

The War on Photography

Over the weekend I had an opportunity to participate in a broadcast on KPFK radio in Los Angeles about the war on photography. The broadcast was part of Ric Allan and Doran Barons’ weekly radio show Digital Village. Also on the program with me were Shawn Nee (aka Discarted) and Peter Bibring, staff attorney at the SoCal ACLU. The half hour show was a good conversation about what so many of us are facing each and every day out on the streets shooting. I’m particularly pleased to see the ACLU taking a larger interest in photographer’s rights and was glad that Peter was able to be on the show. I think the ACLU brings an important legal perspective to the fight for photographer’s rights. Thanks to Ric and Doran for hosting the conversation and for bringing more awareness to this important issue.

If you want to listen to an mp3 recording of this weekend’s show you can download that here.

In an unrelated piece over the weekend, Carlos Miller reports on the case of Tasha Ford, a model who was arrested in Florida this weekend and charged with a felony evesdropping charge (which was later dismissed) for videotapping the police after they had asked her to stop filming them. Unfortunately Tasha ended up spending the night in jail for her troubles. Her story is a sad but all too familiar one these days.

Photography is not a crime.

36 Hours in Reno

My Favorite Neon Sign in Reno

Weekend before last I packed up the Buick with mrsth and the kids and headed out to shoot the “Biggest Little City in the World,” Reno Nevada. I’ve been meaning to shoot Reno for a while now, but somehow just never quite made it out there. I’ve been to Vegas dozens of times, but Reno’s always remained that elusive stepsister of Nevada just out of my reach.

I’ve known that I’ve needed to shoot Reno for years of course. I’m collecting images of neon signs and the neon in Reno really is best in class. Maybe it was the worsening recession that finally convinced me. Every day more and more neon signs are coming down. But whatever the case, I made it to Reno just in the nick of time.

I spent most of my time in downtown Reno and the best way that I can describe it is that it felt a hell of lot like post Katrina New Orleans. When I visited New Orleans after Katrina I was struck by how devastated the place had become, how broken in many ways the city and the people who lived there were, but at the same time how underlying their desolation was a sort of friendliness and even joy that you found most places you went. Reno felt a lot like that to me.

Vegas has an ugly underside, but for the most part they keep it away from the strip. The homelessness, the drug addiction, the prostitutes. They are all there in Vegas if you want it, but you really have to look for it. You can’t say the same for Reno. The despair is thick — both in terms of the people and business. Dozens of motels, casinos and businesses are dark in Reno. I’ve heard that downtown Reno’s always had its trouble, but throw in the worst recession of our lifetime and it’s gone from bad to worse.

There’s an eerie feeling walking down the main strip in Reno. 40 feet or so from Reno’s most famous sign welcoming you to the “Littlest Big City in the World,” Fitzgeralds, a 15-story or so major casino/hotel, sits dark. A hand made sign on the door reads, “we’re now closed, good luck.” Next to the hand written sign is a photocopied piece of paper directing “persons holding the bona fide chips and tokens of Fitzeralds” to Alamo Travel Center in Sparks Nevada to redeem them.

The Biggest Little City in the WorldEverything I Thought I KnewDown and OuterDown Towner Motor Lodge, Plate 2

Next to Fitzgeralds the Phoenix hotel and casino is dark too. For the most part the streets are empty. Music plays but the feeling is quiet. Drunks and homeless hang out in front of the McDonald’s across from Circus Circus asking for money. In the light of the neon sign on the strip you read a hand made sign on a pawn shop offering top rates for wedding rings. Even the best hotels are cheap to stay at. We booked the El Dorado at $42 a night. That’s less than I paid to stay at the Motel 6 in Fresno last Fall.

As you wander out beyond the strip the blight continues. Fantastic vintage neon signs at motels like the the Town View Motor Lodge and the Down Towner hanging on the sides of the dead buildings. The motels boarded up, weeds growing in their plaza planters and no trespassing signs posted. The motels that are still open have signs offering $500 move in specials. They seem less like motels and more some sort of transitory housing for those without.

Dry cleaners, corner markets, overbuilt apartment complexes, office parks, restaurants, so many of them boarded up, shut down. Signs are everywhere. For sales signs, beware of dog signs,”don’t pick flowers,” a plastic sign affixed to a motel reads. A sign hangs in a camper on a truck with a flat tire, “$800 obo.”

“You know there was a fire at that motel,” says the stranger to me, pointing over to the Leo Court Motel. “A guy killed himself in there.”

“It’s interesting how the birds keep swaying back and forth up on the top of the sign,” I answer back continuing to fire off shots at the sign.

I spent a bit of time Saturday morning hanging out in front of the Greyhound bus station. I shot Claudia there. Claudia told me that she was from San Francisco. That she was at the Greyhound station to head home. She said that she still had one more night on her room but that she’d lost her $200. She explained to me though that when she said she “lost” her $200 that she hadn’t lost it gambling that she’d literally somehow lost it out of her pocket. As she smoked her cigarette she told me about her family back in San Francisco. Her grandkids. Her apartment. She was heading back, heading home.

I was surprised at how willing so many people in Reno are to have a conversation with you. Strangers on the street stopped me several times. Asking me what I was doing, why I was taking pictures. Many of them gave me the same advice over and over again. Be careful, they said. You have to be careful walking around with a camera like that they reminded me repeatedly. Don’t go in this area or that area they’d say. Gary told me that the drug addicts were the worst ones on the street. I asked Gary if I could take his portrait and he said ok. He asked me if he was going to be famous. I told him maybe someday, if I ever became famous, you never know.

As beaten down as so much of Reno seems, there is a genuineness to the people there. As I sat for a while listening to Roger’s story about mining and fishing in the hills outside Truckee he was rolling a cigarette with his loose leaf tobacco. Before he could finish, another guy who looked worse for the wear than Roger stops and hands him three cigarettes from his generic pack. “Here you go brother,” he says to Roger.

Roger looks up and says “thank you kindly,” as the generous stranger keeps walking on his way. An odd sort of random act of kindness between two down and out smokers.

And then there was Georgia, even more beautiful on the inside than she was on the outside, which is definitely saying something. I ran into Georgia while shooting the Society Cleaners neon sign now hanging in the St. James Infirmary bar. I’d been by Society Cleaners earlier that day and had been told that the old neon sign that used to hang outside had been taken down. That it now lived in the bar over on California Avenue. I went into St. James Infirmary to shoot the sign. Nobody was in the bar except Georgia when I stepped in and asked if I could shoot it. “Why not,” she answered back to me.

We talked for a few minutes about my photography while I shot the sign. And then about her writing and music (she’s in the band Pushbox). She bought me a beer and then spent the next three hours talking to me about anything and everything, posing in between the conversations and pouring beers. It’s not everyday that you luck into a bar with perfect natural light and a beautiful bartender who loves to pose. These are my most prized photos from the trip. Georgia shared with me about the self help book she’s writing. About how she’d learned to eliminate judgment from her life. I showed her various sets of my photography. It was pretty damn good.

Before long a parade of Irish themed patrons filled the afternoon bar. Guys in kilts, woman with shamrock headbands — apparently the crowd was part of some sort of pub crawl. You pay $1 to about 20 different bars per beer and drink all afternoon. I shot one couple. Then another couple. Then a guy, then two women. Everyone seemed amenable and friendly. What started out as a two minute stop in to shoot a Society Cleaner’s neon sign, turned into a three hour bar shoot. Fond memories of St. James Infirmary for sure. One of the best damn bars I’ve ever had the pleasure to drink and shoot in.

After four beers or so I left St. James Infirmary to meet back up with mrsth and the kids for dinner and then on to even more shooting with them in tow at the Peppermill Casino and Resort (which is the grandest neon palace in all of Reno). I figured that I’d best get a big boost of caffeine to keep me going into the rest of the night and stopped by Starbucks.

I’m not sure if it was the four beers I’d had or just a high from my Saturday of shooting, but I asked the Starbucks cashier if I could take her portrait. “No,” she answered quickly and then gave me one of those you are wayyyy too creepy for me looks. I laughed to myself and grabbed my double shot of something or other and quickly crossed the street. Aces tattoo was there and they had both a neon sparrow and a neon nude and the sky had turned the perfect color of blue.

As it turned out the Peppermill was the mecca of all meccas for the neon photographer. More square miles of neon in one place than any place I’ve ever seen. I’ve never done acid, but someday if I do I’ll be heading back to the Peppermill for the experience. I don’t think I’ve ever filled up an 8 gig card in less than 15 minutes before. That’s the Peppermill for you.

I’ve uploaded 25 or so of about 450 of my Reno shots that I’ve processed so far. You can see those here. I’ve only processed about half my shots, so there will be many, many more shots of Reno coming in the weeks and months ahead. In total I shot about 4,000 frames in 36 hours. I think I’ll end up with close to 1,000 finished photographs from the trip when all is said and done.

Good Luck Scobleizer!

Robert Scoble on Camera

Yesterday afternoon while out photowalking with Robert Scoble he mentioned to me that he was leaving FastCompany.tv. He mentioned it in confidence, but the news is out now over at TechCrunch and Scoble’s own blog so I’m sure it’s fair to write about it.

I first met Robert Scoble back in September of 2004 at a geek dinner (as they were called back then) that he hosted at Barney’s in Noe Valley. My blog was brand new and he was still at Microsoft. I was very interested in Microsoft’s Media Center Technology at the time and he had Michael Creasy with him who was with the Media Center team (and is now over at Apple). It was a great dinner and a good start to a friendship that’s lasted many years.

Since that first dinner I’ve spent a lot of time with Robert. We’ve worked on the Photowalking Video series together, traveled together (we had a great time this past year up in Yosemite interviewing Ansel Adams’ son Michael Adams) and Robert has pretty much been the guy I look to most to learn about cutting edge new technology on the web. He had a first rate video editor in Rocky Barbanica who I hope ends up with Scoble some place else in the future as well.

Robert Scoble is the quintessential early adopter’s early adopter. His was one of the first blogs I ever read. I first learned about Techmeme from Robert. I first learned about Twitter from Robert. I first learned about FriendFeed from Robert. When Robert was still at Microsoft he told them that they should have bought Flickr (before Yahoo had purchased them) — he was right.

Robert and MaryamScoble Shoots the VloggiesPhoto GeeksWelcome to the World Milan William Scoble, 8

Robert is hoping to make an announcement about what his next project will be at the upcoming SXSW music and media conference. What I will say about what’s next for Robert, is that wherever he ends up or whatever he ends up doing, anyone working with him will be lucky to have him. Passion ultimately is what makes Robert Scoble one of the most unique characters on the web. He is also one of the hardest working and most dedicated people I’ve ever met.

Robert doesn’t just work 9-5. He is always working. If he’s not sleeping, he’s working — and he doesn’t seem to sleep much at all. Robert’s always online, even when he’s working offline. He is everywhere. He does more in 24 hours than most people do in two weeks. Of course what Robert does best is share what he is most passionate about with others. That’s why personally I’d love to see him end up at a company like FriendFeed or somewhere where his passion and his employer are best aligned.

The other thing about Robert is that he’s human and he’s honest. That’s really what made him the most well known blogger at Microsoft back when he was there. He, more than anyone at Microsoft, was responsible for putting a human face on Microsoft at a time when they needed it the most. I think Microsoft learned a lot from Scoble and today is far more human through their blogging efforts than most companies on the web. He admits when he screws up and he lets his emotions out sometimes, even if it’s not always the best thing to do. He doesn’t just share with you what he knows. He shares with you what he feels as well and that’s pretty rare.

Good luck to you Scoble in your next venture. It was fun hanging out with you and shooting around San Francisco yesterday and I’m looking forward to many photowalks in the months and years ahead.

I’ve put together a set of images of Robert on Flickr here.