Adobe Photoshop Camera Raw 5.4 Release Candidate Now Available

From Adobe:

Adobe has released its Photoshop Camera Raw 5.4 Release Candidate, available immediately as a free download from Adobe Labs at http://labs.adobe.com. The “release candidate” label indicates that this update is well tested but would benefit from additional community testing before it is distributed automatically to all customers.

The Camera Raw 5.4 Release Candidate extends raw file support to an additional 26 camera and camera back models including the Canon EOS 500D (EOS Rebel T1i), Nikon D5000, Olympus E-620 and 18 Hasselblad models. The full list of newly supported cameras and camera backs is below.

The camera raw functionality in Adobe Photoshop software provides fast and easy access to supported raw image formats produced by many leading professional and mid-range digital cameras. Working with these “digital negatives” provides photographers with greater artistic control and flexibility while maintaining the original raw files. Adobe Photoshop Camera Raw supports the same functionality for TIFF and JPEG files.

The Camera Raw team would like the community to help verify the quality of the Camera Raw 5.4 Release Candidate through normal usage to ensure that the application is tested on a wide variety of hardware and software configurations not available internally at Adobe. Feedback can be provided on the Adobe User to User forum (http://forums.adobe.com/community/cameraraw).

Pricing and Availability

The Photoshop Camera Raw 5.4 Release Candidate is available as a free download for existing customers of Photoshop CS4, Photoshop Elements 7, Premiere Elements 7 and Photoshop Elements 6 for Mac.

Additional Supported Camera and Camera Back Models

Canon EOS 500D (EOS Rebel T1i)
Epson R-D1x
Hasselblad CF-22, CF-22MS, CF-39, CF-39MS, CFH-22, CFH-39, CFV, 503CWD, H2D-22, H2D-39, H3D-22, H3D-31, H3D-39, H3DII-22, H3DII-31, H3DII-39, H3DII-39MS, H3DII-50
Kodak EasyShare Z980
Nikon D5000
Olympus E-450
Olympus E-620
Panasonic Lumix DMC-GH1
Sigma DP2

My Photography Workflow 2009

Last year I wrote a blog post detailing my photography workflow. Since last year though my workflow has changed a bit as I’ve migrated from Adobe’s Bridge software to Adobe’s Lightroom software and thought that I’d post an updated article detailing how I process my images from start to finish. Questions about my workflow are some of the most common questions I’m regularly asked.

A Thousand Miles1. Step One. Capture the Image. My current tools that I use to capture images include a Canon 5D Mark II camera and the following Canon lenses that I carry with me 24 hours a day / 7 days a week: 135mm f/2, 24mm f/1.4, 50 mm f/1.2, 14mm f/2.8, 100mm macro f/2.8. In addition to these five lenses I also carry with me my MacBook Pro, a high speed card reader, a back up 5D M2 battery and battery charger and three CF cards (a 16GB and 2 8GB, all SanDisk). I also carry daily with me Moo cards that I can hand out to people that I meet to point them to my photography.

On longer photo outings or weekend trips I will also bring with me a 120GB USB powered Maxtor hard drive, my Manfrotto tripod, my Canon cable release and usually my backup camera body, a Canon 5D.

I shoot every day. I try to take advantage of every minute I can to shoot. Sometimes this is 10 minutes of walking on my way to my office. Other times it’s 2 hour photowalks after work. Other times it’s an hour photowalk during a lunch break. Frequently it also involves more serious outings including out of town weekends to new destinations to shoot.

My iPhone also always goes with me and I especially use the mapping features on the phone to find and shoot new locations.

I use Flickr, Zooomr and Google Maps to constantly research things that I want to shoot. Neon signs, graffiti, landmarks, unique settings, etc. I have several local maps as well as maps for almost every state in the U.S. of things that I want to shoot there. Prior to going out on a shoot I’ll frequently assemble a list of the locations that I want to shoot and structure the order so that I can most efficiently drive or walk to various locations that I’d like to shoot. I use my iPhone to help get me around in places where I’m not 100% familiar with the area.

My Photography Workflow 2009, Plate 22. Step Two. Transfer the images to the computer. Most days my 32GB of CF storage is sufficient. For longer and more detailed shoots I’ll take breaks from shooting to manually transfer images from my cards to my MacBook Pro, freeing up the memory card for more shooting. Some days I’ll shoot as many as 2,000 frames which means a number of transfers from my cards (I always shoot in full quality RAW format) to my MacBook. Other days I may just have a few hundred frames to transfer. Pretty much daily though I’m transferring images from my cards to my computer. If you take a lot of photos like I do, do yourself a favor and invest in a high speed card reader. I use Canon’s proprietary software, Camera Window, to transfer my images to my computer. This software organizes my images into folders by date.

My Photography Workflow 20093. Step Three. Flag Images. My next step is to use Adobe Lightroom 2.3 to look at a day’s images. Here I go through a culling process where I use the flag tool to flag all of the images that I’d potentially like to process.

I don’t always end up processing 100% of what I flag, but mostly I’ll process these.

In general I’d say that I probably flag about 5-15% of the frames that I shoot.

My Photography Workflow 2009, Plate 34. Step Four. Develop images. Once the images for a day’s shoot are flagged I’ll use Lightroom’s “Develop” mode to make non-destructive adjustments to my RAW files in Lightroom. Typically I will alter the contrast, exposure, color temperature, brightness, fill lightening, blacks, clarity, vibrance and saturation. I’ll also use the vignette controls to create the optimal vignette (or reduce or eliminate natural vignette if need be). I’ll also use the spot removal tool to remove blemishes or dust from photos. I’ll burn and dodge typically as needed as well. This might sound like a lot of activity, but it actually happens very quickly. I’m trying to publish one million photos before I die, so I simply do not have time to spend a great deal of time on any single photo. Most photos are processed in 60 seconds or less.

My Photography Workflow 2009, Plate 55. Step Five. Export JPG file. Once I’ve developed a photograph I’ll export a JPG version of it into a “finished photos” folder on my hard drive. I use the highest quality JPGs possible.

I also use this “finished photos” folder as my screensaver on my Mac. That way I can periodically see the most recent photos I’m working on as well as see any small blemishes big screen that I might have missed in the initial processing.

Sometimes I’ll go back in Photoshop and fix small blemishes or other things that I notice need work on my images during the day that they are playing in my screensaver on my Mac.

My Photography Workflow 2009, Plate 46. Step Six. Keywording. When I’m done processing a day’s photos, I’ll return to the library mode of Lightroom and synchronize the “finished photos” folder with Lightroom and begin keywording these images. I’ll almost always include the state and city an image is taken in, any reference to a particular organized photowalk or event or outing, and details to describe as best I can this image in keywords.

Keywords are very important for indexing your images for search on the internet and I could probably write a whole article about keywording alone. The key is to be as descriptive as possible and use any possible term that someone might use to search for the photo. If I take a photo of a painting at the Norton Simon Museum in Pasadena, for instance, it would likely be keyworded with “Norton Simon,” “Norton Simon Museum,” “museum,” “painting,” “Pasadena,” “California,” “Los Angeles,” as well as keywords of the artist, painting title, and anything in the painting itself “cow,” “farm,” “moon,” etc.

My Photography Workflow 2009, Plate 67. Step Seven. Geotagging. Once all of my images for a day are keyworded I’ll use Geotagger on the Mac to drag and drop my images using Google Earth in order to geotag them. If you are using a PC, Microsoft also has a free geotagging and keywording tool at their Pro Photo Tools page.

Geotagging my images at the file level (like keywording) means that I don’t have to geotag them on either Flickr or Zooomr. It ensures that I always retain this important data with my images both for search on my own computers as well as for search online.

Hot Donkey, There's a New Drobo Out! Welcome to Drobo 2.08. Step Eight. Archiving. Once a days photos are done, I will transfer the day’s RAW file folder onto my PC and on to a Drobo. I like to use Drobos because my images are then replicated across multiple drives protecting me in the event of a single drive failure.

I presently have four Drobos with about 10 terrabytes of storage. I will then take my finished JPG files and divide them into two categories “A” photos and “B” photos. I have another folder for A and B finished JPG files on one of my Drobos. At present I probably have about 20,000 finished photos that have not yet been published to the internet. About 20% of my finished photos end up in the “A” folder and 80% end up in the “B” folder.

I also periodically make sure that other copies of my finished photos are archived on hard drives off-site in case of theft or fire at my house.

My Photography Workflow 2009, Plate 79. Step Nine. Publishing.
Typically I publish photos online 2x a day on weekdays and 3x a day on weekends. I will always select 5 of my “A” quality photos to upload in each batch. I will also include 12-17 “B” quality photos. I arrange my photos so that my “A” photos are the last 5 that I upload, with the photo that I like the very best from that batch being the very last photo that I upload.

Because Flickr and Zooomr typically favor your last 5 photos when sharing with your contacts, this ensures that most of my contacts will see my better images. Although I select 5 “A” photos and 12-17 “B” photos, there usually is no rhyme or reason to which photos are selected and this is largely a random process pulling from my archives. The only exception to this is when I shoot something that is timely like a party or an event in which case I’ll try to upload some of those photos as soon after the event as possible.

And that’s pretty much about it. I wrote this post by the way in response to a thread about other people’s workflow in the Deleteme Uncensored group where I am active on Flickr. You can read that thread here to see how other people manage their photos online.

Thomas Hawk on Adobe.com

Thomas Hawk on Adobe.com

Recently Adobe contacted me about the way that I use their products. I’ve been a long time user of Photoshop and Bridge and last year made the jump to Lightroom 2.0 as well. I’ve been super happy using Adobe products and feel that they are some of the best tools around for processing my photographs. I was pleased when they asked me if I’d like to be included as an Adobe Success Story on their website at adobe.com.

I worked with Laura Thurman from Big Sky Communications to put together the story/bio. Adobe didn’t pay me any money or compensation for participating in this project. I just felt like doing it because I thought it would be good exposure for me and I am a real true to life satisfied Adobe customer and user and am happy to share that experience with the rest of the world.

I’ve also been pleased with Adobe’s outreach to me as a blogger. When they launched Lightroom 2.0, their PR team arranged for Tom Hogarty at Adobe to give me a personal tour of the new product before the launch that allowed me to put together a pretty good review of the product on launch day. I was pleased to see that they considered my blog as press along with the more traditional mainstream media outlets which were also briefed on the launch.

Anyways, I’m pleased with the Success Story that they put together, you can find it at adobe.com here. Thanks Laura and Adobe for putting this together.

Adobe Releases Lightroom 2.3 and Camera Raw 5.3 Release Candidates

adobe-lightroomYesterday Adobe released the latest version of Lightroom, Lightroom 2.3, as well as Camera Raw 5.3.

From Adobe:

“The ‘release candidate’ label indicates that this update is well tested but would benefit from additional community testing before it is distributed automatically to all customers. The Lightroom and Camera Raw teams would like the community to help verify the quality of this update through normal usage as this will ensure that the application is tested on a wide variety of hardware and software configurations not available internally at Adobe.

Both release candidates provide additional raw file support for the Nikon D3X and Olympus E-30 cameras. In addition, the Lightroom 2.3 Release Candidate provides a solution to a memory leak that affected some customers of the Lightroom 2.2 release.

Adobe is also pleased to announce the availability of Lightroom in eight new languages, including Dutch, Italian, Portuguese, Spanish, Swedish, Korean, Chinese (simplified) and Chinese (traditional). The Lightroom 2.3 Release Candidate available on Adobe Labs includes these additional languages, and Adobe greatly appreciates any feedback the community can provide the Lightroom team.”

You can download both Lightroom 2.3 and Camera Raw 5.3 from Adobe Labs here.

You can submit feedback on the new version of Lightroom here.

Adobe Releases Lightroom 2.2 Update

Got the following email today on Adobe’s new Lightroom 2.2 Upgrade. I’m continuously impressed with how much better my work flow is now that I’ve switched to Lightroom 2.

“Adobe has released an update to its Photoshop Lightroom software, available immediately as a free upgrade for existing Lightroom 2 users. Lightroom 2.2 adds raw support for seven new camera models including the Canon EOS 5D Mark II and Canon PowerShot G10. The update also includes several refinements such as enhanced performance of the local adjustment tools.

In addition, Adobe’s Camera Profiles are now available natively within Lightroom 2.2 and are provided automatically as part of this release. As the visual starting point for the raw processing work flow, camera profiles provide flexibility that allows photographers to quickly achieve their desired rendering.

Adobe Photoshop Lightroom 2 is essential for today’s digital photography workflow with quick options for importing, processing, managing, and showcasing images. With its second Lightroom update this fall, Adobe continues to show its commitment to the photographic community, allowing photographers to take advantage of the latest cameras and technology.

Lightroom 2.2 supports the following additional camera models: Canon EOS 5D Mark II, Canon PowerShot G10, Panasonic DMC-G1, Panasonic DMC-FX150, Panasonic DMC-FZ28, Panasonic DMC-LX3 and Leica D-LUX 4.

Pricing and Availability

Adobe Photoshop Lightroom 2.2 is available now as a free download for
existing Lightroom 2 customers at http://www.adobe.com/downloads/updates/. Lightroom 2 can be purchased through the Adobe Store at http://www.adobe.com/store. The estimated street price is USD$299 for new users with an upgrade price of USD$99 for qualifying Lightroom customers.

For more information on Photoshop Lightroom 2 or to purchase the
software, visit http://www.adobe.com/products/photoshoplightroom/.”

Adobe Releases Camera Raw 5.2 Update

Adobe – Latest Product Updates

“This new version of the Camera Raw plug-in replaces the original one that was installed with Adobe® Photoshop® CS4; Adobe Photoshop Elements 7.0; and Adobe Premiere® Elements 7.0 software. Visit the Camera Raw page for a complete list of supported cameras.”

This new Raw plug-in provides official support for the new Canon 5D Mark II camera. I’ve got a new 5D Mark II on pre-order with Wolf Camera. Yesterday they told me that estimated ship date was December 5th. Looking forward to what the new 5D can do. I haven’t heard of any new Mark II 5Ds shipping yet, but previously Canon had said that they’d be shipping by the end of November.