Change is Good

Google Co-Founder Sergey Brin Sports the New Google Glasses at Dinner in the Dark, a Benefit for the Foundation Fighting Blindness -- San Francisco, CA

If you want to make enemies, try to change something.

– Woodrow Wilson

I’ve been watching with great interest over the past few weeks as the naysayers seem to have gone CRAZY overboard trying to bash Google Glass every chance they can. I’ve seen articles in Wired and on CNN and on blogs, etc., all stating how terrible Google Glass is. Oh NO, geeky white dudes are wearing Google Glass! This will never work! Oh no, someone wore a pair into the shower! Oh no, I will punch someone in the face if they try talk to me with them on — all sorts of gibberish.

There’s nothing like change to bring out the absolute haters.

It seems like every time something comes out that represents change, people freak the fcuk out.

It’s not enough to say, “oh no, this thing is not for me.” People have to go absolutely overboard, talking about how horrible some new thing is for everybody ELSE.

I remember when I waited in line overnight (with my pal Robert Scoble, probably today’s biggest Google Glass cheerleader) for the very first iPhone. Robert’s son Patrick was the very first person to buy an iPhone at the Palo Alto store.

I’m not sure I’d ever been mocked by people so much. “You waited in line overnight to pay HOW MUCH?” for a stupid phone??? People thought the iPhone was the dumbest thing ever. “Why would you ever need a phone to surf the web?” “Why would you pay so much for a phone?” They laughed at me for camping out overnight to get the first generation phone — even though camping out overnight in front of an Apple store has been one of the most fun things I’ve ever done. Getting to hear Apple luminaries like Andy Hertzfeld and Bill Atkinson talk about Apple’s early days was a blast! It’s where I first met the awesome guys from SmugMug. Was it dorky and geeky? Sure, but whatever.

Read some of these early quotes about the iPhone when it first came out. Even though some of us loved it early, so many more were so “doom and gloom” on it. Now, of course, everybody loves the iPhone and the whole generation of Android and other smartphones that followed.

I remember when Twitter first came out. People hated that too. “Twitter is still a fad, and according to a study out today, it looks like it’s popularity may soon fade,” wrote BusinessWeek. People constantly mocked Twitter — “who wants to read a dumb post about what someone had for breakfast,” they’d say. I hopped on Twitter right away while so many of my friends refused to join. Those same friends now complain about how everybody else has more followers than they do.

The same naysayers took umbrage with Google+. Despite being named earlier this week as the second largest social network, the “change is bad” crowd hated Google+ when it came out. How many articles out there were written about Google+ being a ghost town? My good friend Trey Ratcliff passed 5 million followers on Google+ earlier this morning. That sure is an awful lot of ghosts if you ask me.

I’m having the best time on Google+. I’ve met some of the most talented and interesting photographers in the world, I’ve been on tons of great live hangouts and photowalks, and it’s been the best designed social network I’ve ever been a part of. I’m glad I joined it the first day it was available to the public.

When one of my heros, William Eggleston, had the first color photography show at MOMA in New York, a lot of people hated that too. Many people called it the most hated fine art photography show ever. Ansel Adams, the most famous photographer in the world at the time, even wrote a letter to MOMA curator, John Szarkowski, trashing the change that Eggleston represented. Now everybody loves Eggleston and color photography is firmly established as a photographic fine art aesthetic. Just last month the Independent called him the world’s greatest living photographer.

I remember when I first started posting my photos online at Flickr back in 2004, their first year in existence. So many photographers gave me a hard time. They kept going on and on about how my photos would be “stolen.” “Who the hell cares,” I’d answer back. Now everybody posts their photos online, everywhere — well, almost everybody.

So what is it about Google Glass, the iPhone, Twitter, Google+, color photography, photo sharing that scare people so much? What is it that brings out the naysayers and haters?

It’s simple: most people hate change. Most people fear change. Most people hope the world around them never changes and turns into something else. They are afraid that change will take their job, or their income, or somehow hurt them. A lot of these people are also lazy. They groan about having to learn a new thing or technology. They worry they will be left behind. So it’s easier for these people to bash whatever is new and interesting and jump on the anti-change bandwagon.

As far as Google Glass goes, I have no idea if it’s going to be a hit or not. I do think it represents an interesting new tool to use for street photography and I’m excited about trying them out myself at some point. I think it’s dumb though to see article after article by scared people trying to talk the rest of the world out of them — articles that try to paint them as dorky or geeky or creepy. These are just more of the same old complainers/haters who hate on every new thing that comes along.

Change is good. Don’t let the naysayers tell you otherwise. The next time somebody brings up some new idea, check yourself. Instead of immediately starting to bash it, resist that urge and keep an open mind. Every so often you just might be surprised.

Oh, and personally speaking, I think journalists that like to bash change are far, far, dorkier than bloggers who like to take showers with their Google Glass on. ;)

This article also appears on PetaPixel here.

Facebook Survey, May 2013

Facebook Survey, May 2013

Yesterday I was prompted by Facebook and asked if I wanted to take a survey on my Facebook page. I said yes and took the survey. Here are the questions that Facebook asked me. Maybe this survey gives some insight into what they are thinking about in terms of public perception and product development. I don’t know anything more about the survey. I don’t know who it was targeted towards, how many people were given it, or any other demographic or statistical data.

1. Do you manage the Facebook page or public profile you were just visiting?

Yes, I manage this page by myself
Yes, I manage this page along with 1-4 other people
Yes, I manage this page along with more than 4 people
No, I do not manage this page

2. What is your role in managing this Facebook page or public profile?

I am the public figure this Facebook page or public profile is about
I am an Account Manager — I work for a third-party management firm
I don’t manage the page directly — I make partnership and business decisions
Other

3. Do you manage your Facebook page or public profile using the Facebook website or app, or do you use a tool such as HootSuite, CoTweet, or Seesmic?

I primarily use the Facebook website or app to manage my Facebook page or public profile
I primarly only use another tool such as HootSuite, CoTweet, or Seesmic to manage my page or public profile
I use both the Facebook website or app and another tool equally

4. Approximately how many fans or subscribers does your page have?

5. Approximately how often do you post from your Facebook page or public profile?

Multiple times per day
About once a day
2-6 days a week
About once a week
2-3 times a month
About once a month
Less often than once a month

6. About what percent of the time are the posts composed by the public figure this page is about (rather than another person or agency posting on the figure’s behalf)?

Less than 20%
Between 20% and 40%
More than 40%, but less than 60%
Between 60% and 80%
100%
I don’t know

7. If you were to post something to your page, approximately what percent of your Facebook fans would you expect to have the post show up in their news feed?

Less than 20%
Between 20% and 40%
More than 40%, but less than 60%
Between 60% and 80%
More than 80%, but less than 100%
100%
I don’t know

8. What percentage of Facebook’s engineering resources do you think are dedicated to increasing revenue (versus developing new products and improving on existing products for our users)?

Less than 20%
Between 20% and 40%
More than 40%, but less than 60%
Between 60% and 80%
More than 80%, but less than 100%
100%
I don’t know

9. Relative to other initiatives, how important is your Facebook page or public profile in meeting your business objectives?

Not at all important
Slightly important
Somewhat important
Very important
Extremely important

10. Please indicate how important each of these metrics is to you when you are trying to evaluate the overall success of your Facebook page or public profile.

(Choices offered were: not at all important, somewhat important, very important)

Referral traffic (e.g. website visits)
Content engagement (e.g. video views, likes, comments on posts)
Increased reach (e.g. fanbase growth)

11. Do you agree or disagree with the following statement? My Facebook page or public profile helps me to accomplish my business objectives

Strongly disagree
Somewhat disagree
Neither agree or disagree
Somewhat agree
Strongly agree

12. Do you agree or disagree with the following statement? I am happy with the level of engagement my fans have with my Facebook page or public profile

Strongly disagree
Somewhat disagree
Neither agree or disagree
Somewhat agree
Strongly agree

13. Overall, how satisfied are you with the rate at which you acquire new Facebook fans?

Completely dissatisfied
Very dissatisfied
Fairly dissatisfied
Neither satisfied nor dissatisfied
Fairly satisfied
Very satisfied
Completely satisfied

14. Overall, how satisfied are you with managing a Facebook page or public profile?

Completely dissatisfied
Very dissatisfied
Fairly dissatisfied
Neither satisfied nor dissatisfied
Fairly satisfied
Very satisfied
Completely satisfied

15. In your opinion, what amount of improvement, if any, is required to make the page or profile management tools Facebook provides you excellent?

Huge improvement
Much improvement
Some improvement
Slight improvement
No improvement

16. Do you manage a public page or profile on any other social media platforms?

No, I do not manage a public page or profile on any other sites
Yes, I manage a page or public profile on at least one other site

17.On what other social media platforms do you manage a public page or profile?

Instagram
Google+
Twitter
Pinterest
Tumlbr
Other (fill in)

18. On which service do you most often post

Instagram
Google+
Twitter
Pinterest
Tumlbr
Facebook
Other (fill in)

19. Compared to your consumer facing experiences on other platforms, how satisfied are you with your experience managing a Facebook page or public profile?

More satisfied
About the same level of satisfaction
Less satisfied

20. How important is it to you to be able to manage your Facebook page or public profile from a mobile device?

Not at all important
Slightly important
Somewhat important
Very important
Extremely important

21. When you publish content from a mobile phone, what device do you typically use?

Tablet (such as iPad)
Windows phone
iPhone
Android phone
Blackberry
I never publish from a mobile device
Other (fill in)

22. In your opinion, what amount of improvement, if any, is required to make the Facebook page and public profile administration experience excellent?

Huge improvement
Much improvement
Some improvement
Slight improvement
No improvement

23. In what ways would you like to see the Facebook page and public profile administration experience improve? (select the TOP 3 improvements you’d like to see)

I would like to be able to post additional types of content
I would like to be able to post more easily
I would like to know more about my fans
I would like my fans to share more of my posts with their friends
I would like to be able to test which posts perform best
I would like to drive more traffic to my primary website
I would like my posts to reach more fans
I would like to see everything my fans are saying about me/the public figure
I would like to see how the activity of my fan base compares to that of other public figures
I would like to be able to use hashtags
Other (fill in)

24. Please share any additional feedback you may have about your experience as a Facebook page or public profile administrator.

25. We would like to hear more about your experience with Facebook in the future. Would you be interested in receiving additional surveys on this topic?

25. Would you be interested in participating in a brief phone interview on this topic?

Thank you.

She Tells Me Everything’s Alright — Spanish Fork, UT

She Tells Me Everything's Alright

Williamsburg Bridge

Williamsburg Bridge

The BBC’s Kate Russell on Stocksy.com

Burgers — San Jose, CA

Burgers, Plate 4

Coachella 2013

Coachella 2013 -- Indio, CA

I wrote up a post on shooting Coachella this year on Google+ here.

I published 500 or so of the 1,400 or so photos that I processed from this year here.

Thanks again to JBL Audio for sponsoring me to shoot Coachella this year. If you’re a corporate sponsor of another American Festival and want me to shoot it for you, drop me a line. I’d love to do more of this sort of work. :)

#coachella #jbltakescoachella #coachella2013

What Do You Think of Photos on the New Facebook Timeline?

The New Facebook Timeline

I had the new Facebook Timeline turned on for me yesterday. My wife got it about a week ago. Does anyone else have it? Do you like it? Anyone ever seen that movie Memento?

Photos feel larger — I like that — but I don’t really like the way that photos are cropped.

The old timeline forced everything into a square box by default so landscape/portrait crops were still problematic. You could reposition the photo after the fact (sometimes, when the reposition tool worked, which was probably less than 10% of the time for me) but your photo got stuck in a square crop. You could also “feature” the photo which would give it an extreme horizontal crop manually.

By the way, I seem to be able to use the reposition tool again now with the switch over to the new timeline.

Part of me liked the old Facebook timeline format. I love the square photo. It’s my favorite crop of all. When I uploaded a square to Facebook it would then show perfectly on my timeline page. If the other crops suffered, oh well.

The new timeline page goes back to a traditional landscape crop. So now when you upload your landscape oriented photos to Facebook they fit and look great. Unfortunately though, now both the portrait and the square crop are squashed into a landscape box.

Why on earth doesn’t Facebook just display BOTH landscape and square crops in their original crop? This is what they do on mobile btw, so it would seem more consistent. This would mean that square photos would be even bigger on the web version of Facebook, but everybody wants bigger photos anyways, so why make our square crop photos suffer in that landscape oriented box? This is what Flickr does by the way. On Flickr the square crop is king. I love that.

Of course portrait oriented photos get butchered even worse now with the new Facebook timeline — now they are squeezing a portrait photo into a landscape orientation instead of a square. Some of these just look awful.

It does feel like Facebook is trying to somehow more intelligently decide which portion of square and portrait photos get shown in the landscape box. Maybe their algorithm is looking for the eyes and focusing on that. I’m not sure, but it feels like the auto cropping is a little smarter and more intelligent.

Google+ takes a different approach. They retain the photographer’s original crop… but then you are stuck with those damn grey bars on the sides of your square and portrait photos on G+. For the life of Kevin, I’m not sure why G+ doesn’t just let the square photo have the entire envelope. It would look much better than those tiny little gray bars on the side and it’s just giving square photos an ensy weensy more real estate.

Which is what Facebook should do too, by the way. Square crops sort of fit into the landscape envelope, but why make the square suffer that way? Just liberate it. Make the square the king. I thought Facebook was doing this on the newsfeed a couple of weeks ago, but I think they switched back to cramming a square photo in a landscape box with both the new newsfeed and timeline now too.

Is there an answer to this perplexing problem about how best to display our images on the web? Why can’t we just have one big, gigantic mosaic wall on both Facebook and Google+; that’s actually my favorite format of all, I think.

Other changes on the new Facebook timeline, include moving your follower count over to a smaller, less prominent place on the left. They also give the actual number now, instead of something that just gave a rounded estimate, such as 300K, before. You can add/remove remove certain modules out of the smaller left side column if you want.

Despite the photo crop issues, overall I like the new timeline a lot. I like it better than the old version. It feels more fluid and slick. I do like that, overall, photos do appear bigger. Landscape oriented photos especially look great there now.

The new comment system drives me a little batty though. I can never figure out who is talking to who and I feel like I’m trapped in some sort of web version of the movie Memento — but that’s a whole other topic entirely. I can never understand who said what in what order to who. I feel like I’m trapped in some sort of online version of that old movie Memento.

Unfortunately, as usual, with the new Facebook timeline we’re still stuck with the damn ads. I wish Facebook’s ads weren’t so especially vulgar. Why is Facebook trying to get me to join some lawsuit about unpaid wages at Brooks Brothers? I hate lawsuits — plus I’ve never worked at Brooks Brothers. Shouldn’t Facebook be smarter than that in terms of what ads it shows me? Why does Facebook think I worked at Brooks Brothers? Next thing you know some other ambulance chaser is going to start advertising at me just in case I’ve ever had Mesothelioma. Facebook should let us pay for a Pro account and exempt us from bad advertising.

By the way, anyone ever seen that movie Memento?

Sunset on Coachella, Coachella 2013 — Indio, CA

Sunset on Coachella, Coachella 2013 -- Indio, CA

Check out all my Coachella 2013 Photos here.

Just finished up a fantastic weekend shooting the first weekend down here at the Coachella music festival. I got to photograph so many new and interesting bands. Mostly I spent the entire time shooting with my good pal Robert Scoble. Check out Scoble’s photos on his Google+ stream. Ron Sheridan has a Pixt wall up on Coachella as well here.

Thanks so much to Sam Levin and JBL Audio for getting us down here and for getting us media credentialed. Thanks to BorrowLenses for equipping us with some heavy duty gear. Scoble brought down a 600mm and a 400mm that we used to shoot the bands. Mostly I shot with a Canon 70-200 f/2.8, but those big guns came in handy a lot of time too. They were *tough* to lug around all weekend long, but worth it!

Thanks also to Seagate for the great storage for holding thousands of photo files for us. I’m testing out one of their new wireless hard drives (more on that later!).

I’ll write more about what shooting the weekend was like soon, but am going to work on getting a lot of photos processed first. I made some great new friends and got to hang out with some pretty cool people. Sam Levin, Chris Voss, Jen Friel, Daniel Brusilovsky, Ron Sheridan, you guys rock! Getting to hear Greg Kihn play Beatles and Stones songs for us in the RV on the way down was a definite highlight — man that guy can sing. Greg’s also got some of the best stories you’ve ever heard about rock and roll. Great getting to know you on the trip down Greg!

Check out all my Coachella 2013 Photos here.

How to Lose Control of Your Photos With Getty Images

Facebook Thomas Hawk Image

Last week photographer Remi Thornton penned a post about why he quit working with Getty Images. Remi alerted photographers to a new scheme by Getty Images whereby they were “loaning” photographer images (without pay) to Cafe Press for marketing purposes. The idea is that Cafe Press could use photographers’ images without paying, unless a sale was made, then a photographer might receive a royalty.

Allowing Cafe Press free use of photographers’ images for marketing did not sit right with Remi or other photographers, Remi felt that Cafe Press should have to pay a royalty for using the image at all and not get to use the images to market Cafe Press for free.

On March 25th, I submitted my own resignation to Getty Images. Shortly thereafter on March 27th I received acknowledgement from Getty along with the following:

“As per your recent request where you expressed your desire to terminate your outstanding contract with Getty Images, this is your official notice of termination of the Agreement between yourself and Getty Images, which had a Commencement Date of 3/11/2009.”

A few days later my images disappeared from Getty’s website for sale.

One would think that upon termination with Getty Images, the pilfering of images by Cafe Press would cease, but not so. Not only are my images still up for sale with Cafe Press (being marketed in a large font as “Thomas Hawk Gifts”), Cafe Press is additionally ADVERTISING them to me to buy on Facebook (again without pay — see image above).

Even though I no longer have a relationship with Getty and have NEVER had a relationship with Cafe Press, they want to sell me a dry erase board of a dog image of mine. I can also buy a wine charm thing or a beer coaster if I want.

I’m sure in the super fine print of my contract with Getty there is some loophole that is allowing this, but frankly it’s bad enough that Getty is allowing Cafe Press to market our images without pay. To further allow our images to be marketed in Facebook ads (again, without pay) seems a bit far fetched — especially when my relationship with Getty is supposed to be terminated. And why is Cafe Press specifically targeting me on Facebook trying to sell me my own images?

I have no idea how long my images must remain for sale at Cafe Press, but this just serves as an example of how a photographer can lose control over their images with Getty.

I wonder how much money Getty was paid to allow Cafe Press to use our images for free on Facebook?

I’d ask Getty what the deal is in the Contributor forum, but alas, I’ve been permanently banned from the Contributor forum for daring to criticize Getty’s paltry 20% payout. Maybe someone who is still a member there can ask them for me and relay back what their answer is?


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