Would You Rather Have Sex With Marilyn Monroe or Take Photographs of Her?

Update: Ok, so the combination of a few drinks and zero sleep has muddeled my memory at bit. Maryam Scoble points out that it was actually her that asked the Marilyn Monroe question while we were talking to Tara. Sorry about that Maryam. You are the one who should be credited with the interesting question. Maybe we need to have you start asking the questions on the photo walks along with Robert: :)
I got a pretty hot photo of you and Robert kissing by the way, that is coming soon.
So Tara Hunt asked me one of the more interesting questions I've ever been asked about my photography night before last. Tara was up in Seattle for the Blog Business Summit, which coincidently took place over the same days as my trip to visit with Getty Images.
A bunch of us went out for drinks (the bloggers from the blog business conference were in pretty good spirits after attending a red wine and gin tasting event where I'm guessing more gin was consumed than red wine).
So while we were all chatting Tara told me this story about a photographer (whose name I've forgotten) who supposedly once had a choice to either take photographs of Marilyn Monroe (which subsequently started his career as a professional photographer) or to have sex with her. Apparently he chose to take the photos. This could be just a total urban legend by the way. That story is not so much the point as Tara then asked me what I would do.
If given the choice to either sleep with Marilyn Monroe or take photographs of her which would I do? The first answer was easy. I'm married and so sex with Marilyn was out. But I'd love to shoot her. So then the question was reasked, if I were *single* which would I choose?
And here still the answer came up the same. I'd rather shoot her than have sex with her. Which is not to say that having sex with Marilyn Monroe would *not* be something right up there on a list of pretty amazing things to do in life. Whatever else I may be, at base I'm still a very much a red blooded American male who like many other red blooded American males would probably kind of like a night with Marilyn.
But Tara's question made me think more about my own love of photography. And the opportunity to shoot someone of as much historical significance as Marilyn and to be able to create and capture intense images of the starlet who perhaps more than all others oozed this most intense sexuality would be a more personally rewarding experience for me than sex itself. Sex would be a momentary thing -- remembered, but something that would fade in time and become increasingly less significant and meaningful. Photographs on the other hand can last much longer -- and to be able to include my own images in an archive on the starlet years after both her and I were gone would outrank even sex.
I love photography. I shoot photographs every day. I got some really great photographs of Seattle on my past few days there. I'm calling the set of images I'm working on "Sleepless in Seattle" because rather than sleep I spent most of the night hours out running around the City capturing beautiful works of neon art, street reflections, store fronts, and cityscapes.
I also got some really good portraits of not just Tara but a bunch of other people who were up there as well. Halley Suitt, Robert and Maryam Scoble, John and Linda Furrier, Matt Mullenweg, Jake McKee, Kristopher Tate, lots of folks from Getty and Edelman and even Jason Calaconis (who was the only guy in two days who asked me to stop shooting him -- but I kind of go non stop on people and it can get annoying). Watching Tara Hunt bust Jason Calaconis'' balls for about half an hour of so though ranked right up there as another highlight of the weekend as well. I can only say that having had my balls busted a few times by Tara in the past myself.
Speaking of people not wanting to have their photograph taken, here's a bit of advice. Most people I meet that don't want their photograph taken tell me that they don't want it taken because they don't think they look good in photos. They say photos of them never turn out well. But the reason why photos don't work for these people is because they don't like having their photo taken in the first place. When I meet someone I typically will just start shooting them. They will react either one of two ways. Either they will protest (and not just verbally but even with their body language) or they will embrace it and enjoy it. If they protest verbally then maybe I get one or two shots of them. If they protest with their body language maybe I get 5 or 10. If they are into instead I might take 50 or 100.
As a photographer you want to get the best possible shot of someone you can. You are likely only going to choose one or two photos of that person for any sitting or setting. When you have 50 shots to cull one or two out from you get much better shots because 48 end up on the cutting room floor. When you have 2 to choose from it makes it harder. My advice to people who say that they never take a good picture is that they especially, instead of shutting down a photographer give them the most time, attention and latitude. This will yield the best possible photos and most great photographers can take a good shot of just about anyone.
Some people just naturally embrace the camera, Tara Hunt is one of them. Tantek Celik is another. Robert Scoble another. And the reason why I can get better shots of these people than other people I shoot is because they become willing participants even to the point of forgetting I'm there shooting after a while. The people who are considered the most photogenic are usually the people who let photographers shoot them over and over and over again.
But do love shooting everyone. I especially love people who ask me to take their photo. I met the most amazing woman at about 6 a.m. at Pike's Market in Seattle on my trip. She had this beautiful accent and stopped to tell me that she had seen me taking photos of her the day before. I'll post her photo here once I get it up and processed. She told me that she had had her photo in a flyer that the market handed out. She posed for me while I snapped off a few photos of her and I felt great being able to capture her smile.




10 Comments:
I have never heard a better description of the real reason some people hate getting the picture taken.
I use this photo as an example for people who say they're not photogenic:
http://gallery.sirshannon.com/displayimage.php?album=2&pos=7
That wall was beautiful and I passed it daily. I started taking photos of it and it took me 3 months before I got that good one. The wall was protesting the whole time, saying it wasn't photogenic, but I knew that time and enough wasted photos would eventually prove it wrong ;)
Well, it's funny - I like having my pic taken, and if you look at my photos, it's the same smile.
I've had people note that I automatically go with the big smile. Eh, it's me.
Thomas,
Correction: You were talking to Tara and I joined the conversation and asked you the question about Marilyn. Of course I always like to be mistaken by Tara. She is a lot more interesting than I am, but seriously how many drinks did you have that night??? :)
Great to meet you in person, finally! I had a good time at BBS, but that night of beers and laughs was the highlight of the trip. Let me know if you caught any decent pics of my blerry eyed self.
You're making the assumption that people want to see photos of themselves in general, and that they can be persuaded by the promise of better pictures. Well, there are other reasons to object to being photographed: privacy, the lack of ego, the risk of narcissism. Never mind Dorian Gray, have you forgotten what life in front of the camera DID to Marilyn Monroe? Please, of someone says stop, just STOP, and don't even print the pictures at all.
D'oh! Love Blogger comments....
"Anonymous" comment above was me.
Jake McKee
communityguy.com
What an incredibly long winded way of saying that you're gay.
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心中一阵不安升降机,因为我忽然又想起了那道剑光升降平台,可怕的剑光升降台,美丽的剑光登车桥。为什么那一剑是那么的美丽货架,却又那么的可怕呢集装袋?在我倒下之前我说地磅,好美的剑塑料托盘,好恨的剑塑料托盘。我倒下了仓储笼。在我失去知觉之前仓储笼,我听到他说北京货架,这叫艺术超市货架,剑的艺术北京货架。
我并没有死广州货架,原来我的心是在右边仓储货架,而是不是左边货架厂。所以在那穿胸一剑之下我并没有死南京货架。
是一阵暴雨把我冲醒了货架公司。听说雨是上天的眼泪深圳货架,也许这天又有人死在那美丽的剑光之下吧服装货架!我张开嘴巴托盘,任雨水打进我的嘴托盘,直冲我的胃塑料托盘。我的伤口又开始流血塑料托盘,但已经不痛了木托盘。试问:仓储笼一个心已经死了的人仓储笼,肉体上的疼痛又算得了什么呢仓储笼?我知道我的刀再练一百年也无法那么美丽仓储笼,那么恨托盘,而且永远别想杀了他托盘。
我退出江湖了手推车,我没有通知江湖上的朋友们静音手推车,并来一个什么金盆洗手静音手推车,因为我的朋友们差不多都被他杀了置物架。我悄悄的走了置物架,隐进了山林之中堆垛架。俨然一个世外高人的样子堆垛架,每天一壶绿茶登高车,放在身边的几上登高车,然后或盯着一朵白云超市手推车,或盯着一片树叶物流手推车,或双目紧闭物流台车。我的刀在玉盆中泡了七七四十九天角钢货架,已经没有血腥味了角钢货架。然后我把它放在我的屋顶轻型货架,任它风吹雨打轻型货架。
十年就这年过去了中型货架。为何今天天忽然想起那柄剑中型货架,那道剑光重型货架?而且内心为什么如此不安重型货架?不应该是这样的仓库货架,对于一个喝了十年绿茶的人来说服装货架,面对死上海货架,也已不再惧怕精品货架,不再不安苏州货架,但今天又为何如此呢托盘货架?
莫非是他青岛货架,和他的剑库房货架,加上他的剑光沈阳货架。我已不问江湖之事天津货架,想他十年前也应该坐上武林盟主的位子了杭州货架,一个武林中人做了武林盟主山东货架,这一生还有什么要求的呢文件柜?
我不停的喝着绿茶工具柜。绿茶静心工具柜。但此时怎么也静不下来零件柜。茶已尽工作台。平时茶尽之时工作台,正也是日落之时工作桌。
一定快有什么事情发生了工作桌。
剑还是那美丽的剑Google左侧排名,如果再加上一道剑光吹塑机,就会形成剑的艺术色带,武学的艺术电源插座。
我问反光背心:为何还来找我滚针轴承,我已在十年之前就退出江湖了夜光粉。
他说文化石:因为你没死缎带,因为我没有对手风火轮。
我说激光打标机:十年前已不是你的对手平衡机,何况现在十年未动刀大功率led。
他说磁力泵:放眼天下梯子,只有你一个人是我的对手网眼袋,也只你一个人对我的威胁无尘布。
我不再说话手摇手电筒,因为我不知道说什么手板,我知道我十年前就开始找我毛巾布,发现我没有死就开始找我磁钢。我不死促销台,他心不安模具钢材。
他说时尚配饰:拿出你的刀筛网。
我说齿轮泵:我已无刀天使花房,命托辊,亦可有可无色丁。
他盯着我广告衫,握剑的手越来越紧钢坯,我知道那道美丽的剑光可能随时发出过滤网。在那美丽过后疏水阀,我的生命将画上句号胸章。
阳光照在了刀上发热管,反射到他的脸上手机耳机。他发现了那把刀螺杆,我的刀插销,宝刀蝴蝶,没有鞘的刀工具包。
刀已在我手中点钞机,刀还是那把刀配电箱,人却已不是那个人流苏,因为心不是那颗心沙滩巾。
他为了杀我竟找了我十年氯化镁,而为了和我比武竟帮我从屋顶拿下我的刀来双面胶带,并放在我的手中碳纤维。我忽然发现排线,他也变了汽车座垫,他在后悔十年前将所有高手都杀绝珍珠奶茶。
高手的悲哀太阳伞。
我握紧了刀桥架,我看着他的眼tpr,已经不再像十年前那样明亮了钢丝。
他的剑划出柴油发电机组,划出一道美丽的剑光护栏。我想围栏,这十年他大概在不停地使自己的剑光更美围栏。
我的刀也出了隔离网。简单的动作隔离网,一刀刺进了他的胸网片。那道美丽的光忽然停止网片,停在我的衣服上南京货架。
他说北京货架:这也是艺术北京货架,杀人的艺术北京货架,想不到你十年不动刀还懂这个艺术仓储货架。
我说仓储货架:因为我不想再让你痛苦了广州货架。
他说广州货架:谢谢货架厂。
我走了货架公司。我头也不回的走了塑料托盘。没有取回我的刀塑料托盘,因为我觉得它在我身边已经没用塑料托盘,我后悔我十年前为什么不扔了它塑料托盘?我听到了尸体倒下的声音塑料托盘。我流泪了塑料托盘,我真的不想杀他仓储笼,十年前不想仓储笼,十年后也不想仓储笼,因为我下山时答应过师父仓储笼,一切让着他仓储笼。
我叹了一口气仓储笼。远去仓储笼。
More Madonna Thefts Uncovered (Part 4)- Marilyn Monroe
http://www.judiciaryreport.com/more_madonna_thefts_uncovered_part_4.htm
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